Abdur Razzak, a name that resonates with millions of film lovers in Bangladesh, is one of the country’s most iconic actors. With a career spanning over five decades, Razzak has earned the title of “The King of Dhallywood” due to his immense contributions to the Bangladeshi film industry. Known for his versatile acting skills, magnetic screen presence, and exceptional contribution to the golden era of Bangladeshi cinema, Abdur Razzak remains an influential figure in the entertainment world.
In this article, we will delve into the life of Abdur Razzak, exploring his early life, career, personal details, and his incredible net worth. Along with key facts, we will discuss his enduring legacy and why Abdur Razzak is still remembered as a cornerstone of Bangladeshi cinema.
Personal Details of Abdur Razzak:
| Attribute | Details |
|---|---|
| Full Name | Abdur Razzak |
| Nickname | Nayak Raj Razzak |
| Date of Birth | January 23, 1942 |
| Place of Birth | Nagtala, Kolkata, British India |
| Nationality | Bangladeshi |
| Profession | Actor, Director, Producer |
| Debut Film | Behula (1966) |
| Famous For | Being the most celebrated actor in Bangladeshi cinema |
| Spouse | Khairunnesa Razzak |
| Children | 5 (including Bapparaj, a famous actor) |
| Religion | Islam |
| Years Active | 1964–2017 |
| Known As | King of Dhallywood |
| Awards and Honors | National Film Awards (5 times), Independence Day Award |
| Death | August 21, 2017 |
| Place of Death | Dhaka, Bangladesh |
Who is Abdur Razzak?
Abdur Razzak, often referred to as “The King of Dhallywood,” is a legendary Bangladeshi actor who made his mark in the film industry through a remarkable range of performances. Born on January 23, 1942, in Narsingdi, Bangladesh, Razzak rose to fame in the 1960s and continued to dominate the film industry for decades. He starred in more than 300 films, working with some of the most prominent filmmakers of his time.
With his deep voice, charming looks, and commanding screen presence, Abdur Razzak became a beloved figure in the hearts of millions of Bangladeshi moviegoers. He is widely regarded as one of the greatest actors in the history of Bangladeshi cinema and was honored with numerous awards throughout his career.
Abdur Razzak’s Early Life and Education
Abdur Razzak was born into a middle-class family in Narsingdi, a town located in central Bangladesh. He was the youngest among his siblings and showed an early interest in the arts. Growing up in a family that appreciated literature, music, and theater, Razzak was encouraged to pursue his passion for acting from a young age.
Education
Abdur Razzak completed his schooling in Narsingdi before moving to Dhaka for further studies. He graduated from Dhaka University with a degree in History, though his love for performing arts eventually took him toward a career in acting. Razzak’s decision to enter the world of cinema came at a time when the Bangladeshi film industry, known as Dhallywood, was emerging as an important part of the cultural landscape.
Abdur Razzak’s Career Journey
Beginning of His Acting Career
Abdur Razzak made his debut in the film industry in 1964 with the movie “Bishkanya”. However, it was in the 1970s that his career truly took off, as he began working in more prominent roles. His strong screen presence, emotional depth, and natural acting style quickly gained him recognition.
Rise to Fame
The 1970s and 1980s were the golden years of Abdur Razzak’s career. During this period, he starred in a series of hit films that showcased his incredible versatility. His ability to portray a range of characters, from romantic leads to tragic figures and even action-packed roles, made him one of the most sought-after actors in the country.
Notable films during this period include:
- “Ratan” (1973): A breakthrough role that marked his entry into the mainstream film industry.
- “Kazi Nazrul Islam” (1976): A historical drama in which he portrayed the legendary Bengali poet.
- “Ananda Ashram” (1977): One of the most iconic films of the time.
- “Bariwali” (1998): A film that showcased his remarkable depth as an actor and was a major success.
Razzak’s impeccable ability to adapt to different genres, from romance to action and drama, solidified his place as the leading actor of his generation.
Later Career and Achievements
As his career progressed, Abdur Razzak also ventured into film production. He produced and acted in several films under his banner, which further expanded his influence in the industry. His legacy as a versatile actor was further cemented in the 1990s and 2000s, when he continued to appear in significant roles and gained recognition for his contribution to the Bangladeshi film industry.
In addition to acting, Abdur Razzak was a mentor to many young actors and filmmakers, helping guide the next generation of Dhallywood talent. His impact on the industry extended beyond his performances, making him a central figure in the history of Bangladeshi cinema.
Filmography List:
| Year | Film Name | Character | Director | Co-artist | Remarks |
|---|---|---|---|---|---|
| 1960 | Ratan Lal Bangali | ||||
| 1965 | Pankatilak | Student (uncredited) | |||
| Unknown | Pagla Raja | Azharul Islam | Olivia, Nuton | ||
| Priyotoma | Bobita | ||||
| Protishodh | Babul Chowdhury | Suchorita | |||
| Putro Bodhu | Kamal Ahmed | Shabana | |||
| Sona Bou | Bobita | ||||
| Shetu | Babul Chowdhury | Shabana, Bulbul Ahmed, Anjana | |||
| Slogan | Kabir Anwar | Bobita | |||
| Talaq | Azharul Islam | ||||
| 1965 | Aakhri Station | Mushtaq, Assistant Station Master | |||
| Nagin | Sheikh Nazrul | Suchorita, Nuton | |||
| Odhikar | Kabori | ||||
| Onek Prem Onek Jala | Nazmul Huda | Shabana | |||
| 1966 | Ghoroni | Hafiz Uddin | |||
| Bajimaat | Chashi Nazrul Islam | ||||
| Kabin | Shabana | ||||
| Kajol Lata | Mostafa Anwar | Suchorita | |||
| Kalo Golap | Akbar Kabir | Bobita | |||
| Ke Tumi | M S Rahman | Kobori | |||
| Kar Bou | Babytaxi driver | ||||
| Daak Babu | Court Clerk | ||||
| Behula | Lakhindar | ||||
| Kagojer Nouka | Drunk man | ||||
| 13 Number Feku Ostagar Len | Pintu | Bashir Hussain | Sujata | ||
| 1967 | Agun Niye Khela | ||||
| Oporajeo | |||||
| Chaowa Paowa | |||||
| Anowara | Nur Islam | Zahir Raihan | Suchonda | ||
| Songshar | Mostafa | Suchonda | |||
| Abak Prithibi | Mustafa Mehmud | Kobori | |||
| Abokash | |||||
| Aponjon | Suchorita | ||||
| Ashadharan | Rahim Newaz | ||||
| Bondhu | Dilip Biswas | ||||
| 1968 | Dui Bhai | Jibon | Zahir Raihan | ||
| Abirbhab | Subhash Dutta | Kabori | First film with Kabori | ||
| Kuchbaran Konna | |||||
| Songshar | |||||
| Shuorani Duorani | Zahir Raihan | Suchonda | |||
| Pitch Dhala Path | Shahzada | Ehtesham | Bobita | ||
| Payal | Mustafiz | ||||
| Eto Tuku Asha | Narayan Ghosh Mita | Sujata | |||
| Banshori | Jabbar Kha | ||||
| 1969 | Moynamoti | Moti | Kazi Zahir | Shabana | |
| Nil Akasher Niche | Mamun | Narayan Ghosh Mita | Kobori | ||
| Shesh Porjonto | |||||
| Moner Moto Bou | Rahim Newaz | Suchonda | |||
| 1970 | Charro Beshi | Q. M. Zaman | |||
| Je Aguney Puri | Amir Hussain | ||||
| Meena | Kazi Zahir | ||||
| Aka Baka | |||||
| Jibon Theke Neya | Faruk | Zahir Raihan | Suchonda | ||
| Dorpochurno | Shabnam | ||||
| Pita Putro | |||||
| Boro Bou | |||||
| Taka Ana Pai | Shahid | Bobita | |||
| Modhu Milon | Kazi Zahir | Shabana | |||
| Kaach Kata Hirey | Hafiz | Jabbar Khan | Kobori | ||
| Ka Kha Ga Gha Umo | Montu | Narayan Ghosh Mita | |||
| Dheu Er Pore Dheu | Mohsin | Kobori | |||
| Deep Nebhe Nai | Kobori | ||||
| Jog Biyog | Fazal Haq | ||||
| Somapati | Manzur Hussain | Shabana | |||
| 1971 | Meherban | Kazi Zahir | |||
| Gayer Bodhu | |||||
| Sritituku Thak | Alamgir Kumkum | ||||
| Shorolipi | Shafi Mahmud | Bobita | |||
| Nacher Putul | Firoz | Shabnam | |||
| 1972 | Manusher Mon | Mostafa Mehmud | Bobita | ||
| Erao Manush | |||||
| Ora Egaro Jon | Parvez | Chashi Nazrul Islam | |||
| Obuj Mon | Kazi Zahir | Shabana | |||
| Chowdhury Bari | |||||
| Jibon Sangeet | Mustafa Mehmud | Suchonda | |||
| Osru Diye Likha | Asad Chowdhury | Kamal Ahmed | Sujata, Suchonda | ||
| Chhondo Hariye Gelo | Manik | S M Shafi | Shabana | ||
| 1973 | Jhorer Pakhi | Selim Chowdhury | Zaman | Shabana | |
| Ekhane Akash Nil | |||||
| Amar Jonmobhumi | |||||
| Otithi | Azizur Rahman | Shabana | |||
| Sonali Akash | Mohit | A Matin | |||
| Swapno Diye Ghera | Sharif | Hashmat | |||
| Rangbaaz | Raja | Zahirul Haque | Kabori | ||
| Khelaghar |
| Year | Movie Name | Character | Director | Co-Star | Remarks |
|---|---|---|---|---|---|
| 1974 | Alor Michil | Rana | Narayan Ghosh Mita | ||
| 1974 | Beiman | Ruhul Amin | Kobori | ||
| 1974 | Chokher Jole | Aziz Azhar | |||
| 1974 | Masud Rana | Club Singer | Sohel Rana | ||
| 1974 | Triratna | Bidyut | |||
| 1974 | Porichoy | Azizur Rahman | Kobori | ||
| 1975 | Bandi Theke Begum | Ali Nawsher | Mohsin | Bobita | |
| 1975 | Daak Peon | ||||
| 1975 | Shadu Soytan | Shabana | |||
| 1975 | Ovagi | Hafiz Uddin | Shabana | ||
| 1976 | Anirban | Kamal Ahmed | |||
| 1976 | Akankha | ||||
| 1976 | Gunda | Bahadur | Alamgir Kumkum | Kobori | |
| 1976 | Agun | ||||
| 1976 | Ki Je Kori | Badshah | Zahirul Haque | Bobita | National Film Award for Best Actor |
| 1976 | Somadhi | Dilip Biswas | |||
| 1977 | Ananta Prem | Abdur Razzak | Bobita | ||
| 1977 | Jadur Bashi | Mohor Ali | |||
| 1977 | Moti Mahal | Imran / Shamsher Daku | Ashok Ghosh | Kobori | |
| 1977 | Amor Prem | Azizur Rahman | Shabana | ||
| 1978 | Oshikkhito | Rahmat | Azizur Rahman | National Film Award for Best Actor | |
| 1978 | Angaar | Chanchal | |||
| 1978 | Alankar | Mamunur Rahman | Narayan Ghosh Mita | Bobita | |
| 1978 | Agnishikha | ||||
| 1978 | Ashami | Dilip Biswas | Shabana | ||
| 1978 | Mayar Badhon | Mustafiz | |||
| 1978 | Shohag | Saiful Azam | Bobita | ||
| 1979 | Anuraag | Kamal Ahmed | |||
| 1979 | Sonar Horin | ||||
| 1979 | Matir Ghar | Alauddin | Azizur Rahman | Shabana | |
| 1979 | Jinjir | Rajon / Bandit Farhad | Dilip Biswas | ||
| 1980 | Chhutir Ghonta | Abbas Mia | Azizur Rahman | Shabana, Sujata | |
| 1980 | Sokhi Tumi Kar | ||||
| 1980 | Anarkali | Dilip Biswas | Bobita | ||
| 1981 | Mohanagar | Heera | Azizur Rahman | ||
| 1981 | Bhanga Ghora | ||||
| 1981 | Allah Meherbaan | ||||
| 1981 | Shukhe Thako | Azharul Islam | |||
| 1982 | Ashar Alo | Nurul Haque | |||
| 1982 | Naat Bou | S Ahmed | Bobita | ||
| 1982 | Rajanigandha | Wahid Malik Topon | Kamal Ahmed | Shabana | |
| 1982 | Dui Poyshar Alta | Amjad Hossain | Shabana | ||
| 1982 | Boro Bhalo Lok Chhilo | Yasin | Mohd Mohiuddin | National Film Award for Best Actor | |
| 1983 | Laily Majnu | Kayes Amri / Majnu | Bobita | ||
| 1983 | Nazma | Nadim Rahman | Subhash Dutta | Shabana | |
| 1983 | Lalu Bhulu | ||||
| 1984 | Mayer Achol | ||||
| 1984 | Notun Prithibi | Jibon | Sheikh Nazrul | Shabana | |
| 1984 | Chandranath | Chandranath | Chashi Nazrul Islam | National Film Award for Best Actor | |
| 1984 | Avijan | Raju | Abdur Razzak | Kobori |
| Year | Movie Name | Character | Director | Co-Star(s) | Remarks |
|---|---|---|---|---|---|
| 1985 | Awara | Kanchan | |||
| 1986 | Tauba | ||||
| 1986 | Shuvoda | Sadanando | Chashi Nazrul Islam | ||
| 1986 | Chapa Dangar Bou | Abdur Razzak | Shabana, ATM Shamsuzzaman, Bapparaj, Aruna Biswas | ||
| 1987 | Swami Stree | Salauddin Badshah | |||
| 1987 | Sondhi | Monu Miah / L Chowdhury | |||
| 1987 | Rajlokkhi Srikanto | Kumar Bahadur | Special Appearance | ||
| 1988 | Dhaka 86 | ||||
| 1988 | Jogajog | Shahed Chowdhury | Moinul Hossain | National Film Award for Best Actor | |
| 1988 | Agomon | Shaker | |||
| 1989 | Bidhata | ||||
| 1989 | Durnam | Shaker | |||
| 1989 | Biroho Byatha | ||||
| 1992 | Ondho Biswas | Mr. Raja / Raju | |||
| 1994 | Sotiner Songsar | ||||
| 1997 | Baba Keno Chakor | ||||
| 1998 | Shanto Keno Mastan | Montazur Rahman Akbar | |||
| 1998 | Baba Keno Chakor | Swapan Saha | |||
| 1999 | Santan Jakhan Satru | Swapan Saha | |||
| 1999 | Jibon Chabi | Alamgir Kumkum | Purnima, Ferdous Ahmed, Shakil Khan, Popy, Bulbul Ahmed, Anwar Hossain, Dolly Zahur | ||
| 2002 | Annadata | Amar Chowdhury | Ravi Kinagi | Prosenjit Chatterjee, Sreelekha Mitra, Anuradha Ray, Dulal Lahiri | |
| 2002 | Kurukshetra | Raj Shekhar Chowdhury | Swapan Saha | Prosenjit Chatterjee, Rachana Banerjee, Tapas Paul, Kaushik Banerjee | |
| 2006 | Nayak The Real Hero | Janardhan | Sujit Guha | Prosenjit Chatterjee, Swastika Mukherjee, Sayantani Ghosh, Ashish Vidyarthi, Anamika Saha | |
| 2006 | Hero | Bhabani Shankar Roy | Swapan Saha | Jeet, Koel Mallick, Tapas Paul, Laboni Sarkar | |
| 2008 | Akash Chhoa Bhalobasa | SA Haque Olike | |||
| 2009 | Mon Diyechi Tomake | Abdur Razzak | |||
| 2011 | Hridoy Bhanga Dheu | Gazi Mazharul Anwar | |||
| 2012 | Most Welcome | Anonno Mamun | |||
| 2012 | Bhalobasar Rong | Shaheen Sumon | |||
| 2013 | Ayna Kahini | Abdur Razzak | |||
| 2013 | Purno Doirgho Prem Kahini | Shafi Uddin Shafi | |||
| 2013 | Nishwartha Bhalobasa | Ananta Jalil | |||
| 2013 | Judge Barrister Police Commissioner | F I Manik | |||
| 2013 | Onnorokom Bhalobasha | Shaheen Sumon | |||
| 2014 | Ek Cup Cha | ||||
| 2014 | Akash Koto Dure |
Awards and Achievements:
| Year | Award Name | Category | Film Name | Result |
|---|---|---|---|---|
| 1976 | National Film Awards | Best Actor | Ki Je Kori | Won |
| 1978 | National Film Awards | Best Actor | Ashikkhito | Won |
| 1982 | National Film Awards | Best Actor | Boro Bhalo Lok Chhilo | Won |
| 1984 | National Film Awards | Best Actor | Chandranath | Won |
| 1988 | National Film Awards | Best Actor | Jogajog | Won |
Abdur Razzak’s Height, Weight, and Physical Appearance
Abdur Razzak’s imposing height and athletic build contributed to his charismatic screen presence. Here’s a look at some of the details about his physical appearance:
Even in his senior years, Razzak’s timeless appearance and stature made him an iconic figure in the entertainment world.
Abdur Razzak’s Personal Life
Abdur Razzak’s personal life has often been kept private, though it is known that he is a family man. He was married to Sultana Razzak, and together they had children who have followed in his footsteps in the entertainment industry. His son, Bappi Razzak, has worked as a director and producer in the Dhallywood film industry, further continuing the family’s legacy in Bangladeshi cinema.
Razzak was known for his humility and work ethic, often dedicating himself completely to his craft. Despite his fame, he maintained a low-key lifestyle, choosing to focus more on his art than on celebrity status.
Abdur Razzak’s Net Worth and Legacy
Net Worth
At the time of his death in 2017, Abdur Razzak’s estimated net worth was around $2 million, a testament to his long and successful career. The majority of his wealth came from his extensive career in acting and film production. Additionally, Razzak’s enduring popularity meant that he continued to earn from royalties, television appearances, and posthumous recognition, solidifying his financial legacy.
Enduring Legacy
Abdur Razzak’s contributions to the Bangladeshi film industry are unparalleled. His name is synonymous with excellence in acting, and his work continues to inspire actors and filmmakers even after his passing. His performances have remained a reference point for new generations in Dhallywood, and his cinematic legacy is a significant part of Bangladesh’s film history.
Razzak received numerous accolades throughout his career, including the National Film Award for Best Actor and recognition from the Bangladesh Film Development Corporation for his lifelong contributions to cinema. He was also honored posthumously for his immense contribution to the cultural heritage of Bangladesh.
Conclusion
Abdur Razzak’s life is a testament to dedication, passion, and an enduring love for the art of cinema. As one of the most influential figures in the history of Bangladeshi film, Razzak’s legacy continues to inspire and shape the industry. From his incredible range as an actor to his work as a producer, his impact on Dhallywood is undeniable.
Even in 2024, more than half a decade after his passing, Abdur Razzak remains a towering figure whose influence will never fade. His ability to connect with audiences, portray complex characters, and leave a lasting impression on the screen ensures that his legacy will continue for generations to come.
