Kumar Bishwajit, a renowned name in the world of Bangladeshi music, has carved a unique niche for himself with his soulful voice and exceptional musical talent. Known for his contribution to both playback singing and modern music, Bishwajit’s journey has been nothing short of inspiring. In this article, we delve deep into the life and career of Kumar Bishwajit, providing a detailed account of his personal life, professional milestones, and achievements.
Read more about bio: Ashish Vidyarthi
Table: Personal Details of Kumar Bishwajit
| Category | Details |
|---|---|
| Full Name | Kumar Bishwajit |
| Date of Birth | November 10, 1963 |
| Place of Birth | Chittagong, Bangladesh |
| Profession | Playback Singer, Music Director, Composer |
| Spouse | Shahnaz Sumi |
| Children | Son and Daughter |
| Genres | Playback, Modern Music, Bangladeshi Folk |
| Years Active | 1984 – Present |
Early Life and Personal Background of Kumar Bishwajit
Kumar Bishwajit was born on November 10, 1963, in Chittagong, Bangladesh. From a very young age, Bishwajit showed a keen interest in music, which led him to pursue his passion for singing and performing. He hails from a culturally rich family, where the influence of music was a constant presence. His early exposure to music laid the foundation for what would become an illustrious career in the Bangladeshi music industry.
Family Life: Insights into Kumar Bishwajit’s Personal Connections
Bishwajit is married to Shahnaz Sumi, a renowned figure in her own right. Together, they have two children, a son and a daughter, who are also involved in the arts. Despite his fame, Kumar has managed to maintain a low-key personal life, keeping his family away from the public eye. He has always emphasized the importance of family support in his career and has stated in various interviews that his family’s encouragement played a pivotal role in his success.
Musical Career: Rise to Stardom
Kumar Bishwajit’s career began in the early 1980s when he made his debut in the Bangladeshi music scene. His deep, melodious voice and ability to convey emotion through his songs quickly won the hearts of millions. Bishwajit initially started his career as a playback singer for films, lending his voice to many hit tracks in the Bangladeshi cinema.
His breakthrough came with the hit song “Bhalobasha Paitey Pari” from the film “Bhalobasha” (1984), which cemented his status as a leading playback singer in the industry. Over the years, Bishwajit’s voice became synonymous with romantic ballads and soulful songs, making him one of the most beloved figures in Bangladeshi music.
Apart from his work in films, Kumar Bishwajit also made significant contributions to the world of modern music. He ventured into composing and creating his own music albums, which were widely appreciated by his fans. His notable albums include “Kumar Bishwajit Hits” and “O Amar Prithibi,” which showcased his versatility as an artist.
Key Achievements in Kumar Bishwajit’s Career
Kumar Bishwajit has received numerous accolades for his contribution to Bangladeshi music. Some of his key career milestones include:
- National Film Awards: Bishwajit has won several National Film Awards for his outstanding performance in the music industry. These awards solidified his reputation as one of the leading playback singers of Bangladesh.
- Hit Songs: Songs like “Moner Shudhu Mon,” “Amar Sonar Bangla,” and “Tomay Chhara” became iconic hits, contributing to his fame.
- Music Direction: In addition to his work as a singer, Kumar Bishwajit has also dabbled in music direction. He composed music for several hit songs, gaining further respect in the industry.
- Public Recognition: Over the years, Bishwajit has been a constant figure in music awards shows, television appearances, and live performances. His contribution to Bangladeshi folk music and modern tracks has earned him a loyal fan base.
Kumar Bishwajit’s Influence on Modern Bangladeshi Music
Kumar Bishwajit has played an instrumental role in shaping the modern music scene in Bangladesh. While he started his career during the golden age of Bangladeshi cinema music, he was one of the first artists to embrace contemporary music styles and incorporate them into his songs.
His ability to blend traditional Bangladeshi music with modern pop and rock elements has given rise to a unique genre of music that resonates with both older and younger generations. Bishwajit’s experimentation with new sounds and his willingness to explore various musical genres have made him a pioneer in the evolution of modern Bangladeshi music.
Work
| Works (Solo Albums) | Year / Notes |
|---|---|
| Tumi Roz Bikele Aamar Bagane (duet with Shoeb) | Duet |
| Best Hits of Kumar Bishwajit Vol-1 | Compilation |
| Super Kumar Bishwajit Vol-1 | Compilation |
| Kumar Bishwajit Vol-2 | Compilation |
| Feelings of Kumar Bishwajit Vol-3 | Compilation |
| Biroher Aakash | 1988 |
| Bishader Sworolipi | 1990 |
| Jekhane Simanto Tomar | 1991 |
| Othoi Neel | 1992 |
| Du FoTa Chokher Jol | 1993 |
| Onuvobe Ovimane | 1995 |
| Dirghoshwas | 1996 |
| Gontobbo | 1997 |
| Shikor (Root) | 1998 |
| Kumar Bishwajit Shreshtho Gaan | 1998 (Best of) |
| Prohori | 1999 |
| Shikari | 1999 |
| Oboshese | 2000 |
| Ek Kothar Chithhi | 2001 |
| Ek Muthho Jochhona | 2001 |
| Rongdhonu Ronge (duet with Asha Bhosle) | Duet |
| Swopno Urai (duet with Mitali Mukherjee) | Duet |
| Smritir Palki | Solo |
| HaTi (duet with Fahmida Nabi) | Duet |
| Sondhya Tara (mixed with Tapan Chowdhury) | Mixed |
| Drishti Vora Brishti | 2006 |
| Maa Jononi | 2008 |
| Rodela Dupur | 2009 |
| Celebrating 30 Years of Musical Journey (Four albums) | (i) Megher Palki (ii) Ekla Aakash (iii) Swopner Aanagona (iv) Premer Aabas |
| Priyo Onuvob | 2014 |
| Sarangshe Tumi | 2016 |
Cinematic Repertoire
| Year | Movie | Song | Composer(s) | Songwriter(s) | Co-singer(s) |
|---|---|---|---|---|---|
| 1983 | Protirodh | “Shono Shoma Ektu Darao” | Sheikh Sadi Khan | Nazrul Islam Babu | Haimanti Shukla |
| 1984 | Norom Gorom | “Ore O Banshiwala” | Subal Das | Ahmed Zaman Chowdhury | Anju Ghosh |
| 1985 | Raj Kopal | “Koto Rongo Jaano Re” | Alauddin Ali | Amjad Hossain | Runa Laila |
| 1985 | Prem Kahini | “Esona, O Amar Jiboner Jibon” (duet) | Alauddin Ali | Gazi Mazharul Anwar | Sabina Yasmin |
| “Picnic, Aaj Picnic” | Alauddin Ali | Gazi Mazharul Anwar | Runa Laila | ||
| “Ami Je Preme Porechhi” (duet) | Alauddin Ali | Gazi Mazharul Anwar | Rulia Rahman | ||
| “Esona, O Amar Jiboner Jibon” (male) | Alauddin Ali | Gazi Mazharul Anwar | Solo | ||
| “Esona, O Amar Jiboner Jibon” (short) | Alauddin Ali | Gazi Mazharul Anwar | Solo | ||
| “Ami Je Preme Porechhi” (short) | Alauddin Ali | Gazi Mazharul Anwar | Solo | ||
| 1987 | Protirodh | “Shanai Bajbe, Bajbe Bajbe Shanai” | Sheikh Sadi Khan | Nazrul Islam Babu, Mozammel Haque | Manabendra Mukherjee, Sabina Yasmin |
| “Shanai Bajbe, Bajbe, Bajbe Shanai” (sad) | Sheikh Sadi Khan | Nazrul Islam Babu, Mozammel Haque | Manabendra Mukherjee, Sabina Yasmin | ||
| “Hridoy Debe Naki” | Sheikh Sadi Khan | Nazrul Islam Babu, Mozammel Haque | Sabina Yasmin | ||
| “Shono Soma, Ektu Darao” | Sheikh Sadi Khan | Nazrul Islam Babu, Mozammel Haque | Haimanti Shukla | ||
| 1988 | Jogajog | “Kochi Kacha Patar Moto” | Alauddin Ali | Gazi Mazharul Anwar | Runa Laila |
| 1999 | Laal Badshah | “Amar Moner Uttore Dokkhine” | Abu Taher | Moniruzzaman Monir | Kanak Chapa |
| 2000 | Bortoman | “Jaane Januk Jogotbasi” | Ahmed Imtiaz Bulbul | Ahmed Imtiaz Bulbul | Kanak Chapa |
| 2000 | Kukkhato Khuni | “Ei Hridoyer Sada Kagoje” (version 1) | Shawkat Ali Emon | Kabir Bakul | Kanak Chapa |
| “Ei Hridoyer Sada Kagoje” (version 2) | Shawkat Ali Emon | Kabir Bakul | Kanak Chapa | ||
| 2001 | Tandob Lila | “Dao Onno, Dao Bostro” | Ahmed Imtiaz Bulbul | Ahmed Imtiaz Bulbul | Solo |
| “Dao Onno, Dao Bostro” (reprise) | Ahmed Imtiaz Bulbul | Ahmed Imtiaz Bulbul | Solo | ||
| 2002 | Itihas | “Bhita Nai Re” | Ahmed Imtiaz Bulbul | Ahmed Imtiaz Bulbul | Solo |
| 2002 | Swami Streer Juddho | “Aaj Mon Pherari” | Shawkat Ali Emon | Kabir Bakul | Anima D’Costa |
| “Hridoyta Hoye Gelo Churi” | Shawkat Ali Emon | Kabir Bakul | Anima D’Costa | ||
| 2003 | Baba | “Ei Prithibir Shuru Aar Shesh” | Alauddin Ali | Kabir Bakul | Kanak Chapa |
| 2003 | Big Boss | “Hajaro Surjo Dube Jabe” | Alauddin Ali | Kabir Bakul | Kanak Chapa |
| 2003 | Dui Bodhu Ek Shami | “Bhalobashte Giye Ami” | Alam Khan | Kabir Bakul | Sabina Yasmin, Baby Naznin |
| “Proti Second Proti Minute” | Alam Khan | Kabir Bakul | Kanak Chapa | ||
| 2004 | Baap Betar Lorai | “Shono Priya Shono” | Shawkat Ali Emon | N/A | Anima Roy |
| 2004 | Bachao | “Chokhe Chokh Porle” | Emon Saha | N/A | Rizia Parvin |
| 2005 | Phuler Moto Bou | “Amake Chhara Aar Kauke” | Emon Saha | Gazi Mazharul Anwar | Solo |
| 2007 | Moner Sathe Juddho | “Pagol Korechho Tumi” | Emon Saha | Ashraf Babu | Mimi Naznin |
| 2009 | Bolona Kobul | “Amaro Jibone Tumi” | Shawkat Ali Emon | N/A | Samina Chowdhury |
| 2009 | Tumi Amar Swami | “Deewana Deewana” | Emon Saha | Kabir Bakul | Solo |
| 2010 | 5 Takar Prem | “Ektukhani Thomke Gelam” | Shawkat Ali Emon | Kabir Bakul | Mimi Naznin |
| “Bachi Kemone Bolo” | Shawkat Ali Emon | Kabir Bakul | Soniya | ||
| 2012 | Ek Mon Ek Pran | “Bidhata Jototuku Bhalobeseche” | Shawkat Ali Emon | N/A | Nazmun Munira Nancy |
| “Cholte Cholte Poth Phurabe” | Shawkat Ali Emon | N/A | Kanak Chapa | ||
| 2013 | Ki Prem Dekhaila | “Tumi Shono Shono” | Shawkat Ali Emon | Kabir Bakul | Dolly Sayontoni |
| 2016 | Dhumketu | N/A | Ahmed Humayun | Sudip Kumar Dip | N/A |
| 2021 | Chironjeeb Mujib | N/A | Emon Saha | N/A | Solo |
Kumar Bishwajit’s Legacy and Impact on Future Generations
As one of the most respected figures in the Bangladeshi music industry, Kumar Bishwajit’s legacy is undeniable. His work has not only influenced a generation of music lovers but has also paved the way for aspiring artists in Bangladesh. Many young musicians look up to Bishwajit for his dedication to his craft, his ability to evolve with the times, and his commitment to producing meaningful music.
Bishwajit’s songs continue to inspire and captivate listeners, and his influence can be felt in the work of today’s emerging artists. His contribution to the cultural landscape of Bangladesh is invaluable, and his legacy will undoubtedly continue to shape the future of Bangladeshi music for years to come.
Personal Style and Influence in the Music Industry
One of the most distinguishing features of Kumar Bishwajit’s career is his personal style. Known for his calm demeanor and sophisticated musical approach, Bishwajit has consistently maintained an air of elegance in his performances. His voice modulation and control over his vocal range are elements that set him apart from his peers in the industry.
Moreover, Bishwajit’s ability to convey deep emotions through his music has made him a favorite among audiences. His sincerity and passion for his craft are evident in every song he sings, which has made him a beloved figure among fans.
Kumar Bishwajit’s Social Media Presence and Popularity Today
In today’s digital age, social media has become an essential tool for connecting with fans and promoting music. Kumar Bishwajit has embraced this trend, maintaining an active presence on platforms such as Facebook and Instagram. Through these platforms, he has been able to reach a wider audience, share his music, and interact with his fans.
Despite being a veteran artist, Bishwajit’s engagement with new fans and his efforts to stay relevant in a rapidly changing music industry are commendable. His ability to adapt to new media while staying true to his roots has helped him remain a prominent figure in the music industry.
Awards
| Award | Film/Work | Year |
|---|---|---|
| Bangladesh National Film Award for Best Male Playback Singer | Swami Strir Wada | 2009 |
| Bangladesh National Film Award for Best Male Playback Singer | Ma Amar Chokher Moni | 2011 |
| Bangladesh National Film Award for Best Music Composer | Swami Strir Wada | 2009 |
| Film Bangla Best Playback Singer Male Award | Jaago – Dare to Dream | 2010 |
Conclusion: Kumar Bishwajit’s Timeless Appeal
Kumar Bishwajit’s career is a testament to his immense talent, hard work, and passion for music. From his early days as a playback singer to his role as a music director and composer, Bishwajit has consistently contributed to the growth of Bangladeshi music. His influence on modern music, his timeless appeal, and his commitment to his craft make him a legendary figure in the industry.
His legacy continues to inspire musicians, both in Bangladesh and beyond, and his contributions to the world of music will always be remembered. As a true icon of Bangladeshi culture, Kumar Bishwajit’s songs will continue to resonate with generations to come, cementing his place as one of the greatest musicians of all time.
